HDFEST tickets

HDFEST Los Angeles

Tickets are $10 per screening and available for purchase online though the below links, or at the festival box office. Advance purchase is highly recommended. All festival screenings will take place in HD resolution and all films were created using HD technology.

Feature Film

Route 30 (Director in Attendance, Cast Members in Attendance)

route 30

Written and Directed by John Putch

3 interconnecting stories from the Lincoln Highway in South Central Pennsylvania.

‘Deer Hunters Wives’ tells of the frustrations of Civil War tour guide Mandy (NATHALIE BOLTT), who obsesses on Jennie Wade, the only civilian killed at the battle of Gettysburg. While her friend June (CHRISTINE ELISE McCARTHY) struggles with an internet porn scheme to make extra money.

‘What I Believe’ focuses on a man (KEVIN RAHM) who seeks the help of a Christian Scientist (WIL LOVE) to heal his back pain and explain the Big Foot that chased him down the mountainside.

‘Original Bill’ is the story of a writer (DAVID DeLUISE) who buys a farmhouse in the country hoping to find unique inspiration to write his novel. He is sidetracked by his Amish neighbor (DANA DELANY), who smokes, drinks, swears and secretly watches his TV.

Director Statement


"Route 30" is the second film in my no frills, back to basics movie making plan.

With the help of all my professional friends, I intend to share the experience and the proceeds with each and every one involved in the production. Essentially everyone becomes a share holder in the venture. If the film makes a million bucks, we all split it. If it makes only 50K, we split it. I want the experience to feel like a jolly good season of summer stock. A project that everyone has a vested interest in, gives them a chance to flex their creative muscles and remember what it is like to work as an ensemble. No star system here.
I’ll use the term “no frills” so everyone can visualize the scope. I’m not interested in this feeling like a typical movie. The shooting of the film must be different, so the end result will be different. Pure, not self-conscious or precious. It cannot follow the same list of rules or this experiment will yield the same mediocre results as a Hollywood movie. However, the end product will be polished and professionally received.

This format does not break any new ground. Lars Von Trier created the Dogma95 rules of digital filmmaking and Indigent, in New York, patterns their films with an eye toward profit sharing. It is in the spirit of these trailblazers that I have affectionately borrowed and then personally modified the method. We’ll see how it turns out but for now, the entire process shows great promise, at least for me it does. I’ll keep you posted.